[I]t would not be difficult to produce a long list of ancients and modems, who, in various forms, have exhibited their own portraits. Such portraits are often the most interesting, and sometimes the only interesting parts of their writings; and, if they be sincere, we seldom complain of the minuteness or prolixity of these personal memorials. The lives of the younger Pliny, of Petrarch, and of Erasmus are expressed in the epistles which they themselves have given to the world. The essays of Montaigne and Sir William Temple bring us home to the houses and bosoms of the authors: we smile without contempt at the headstrong passions of Benvenuto Cellini, and the gay follies of Colley Cibber. The confessions of St. Austin and Rousseau disclose the secrets of the human heart; the commentaries of the learned Huet! have survived his evangelical demonstration; and the memoirs of Goldoni are more truly dramatic than his Italian comedies. The heretic and the churchman are strongly marked in the characters and fortunes of Whiston and Bishop Newton; and even the dulness of Michael de Marolles and Anthony Wood acquires some value from the faithful representation of men and manners. That I am equal or superior to some of these, the effects of modesty or affectation cannot force me to dissemble.

Edward Gibbon, Memoirs of My Life and Writings, London, 1796