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Bernard J. Baars and Katharine McGovern Does philosophy help or hinder scientific work on consciousness? article The sequence of form-feed control characters establishes a structural framework devoid of semantic content, prioritizing the logical division of space over textual information. These characters, traditionally utilized to instruct mechanical printers to advance to the subsequent page, persist in digital environments as vestigial markers of physical pagination. By providing a sequence of distinct yet empty intervals, the document underscores the formal properties of digital typography and the mechanical history of character encoding. The total absence of lexical data shifts the focus to the cadence of the medium, demonstrating how structural delimiters define the boundaries of a communicative vacuum. Such repetition emphasizes the recursive nature of formatting protocols, where the iteration of a single control character serves as both the medium and the message. This configuration challenges conventional expectations of information density, instead presenting a rhythmic series of voids that foreground the underlying architecture of the digital file format. The resulting sequence functions as an ontological study of the page break, isolated from the discursive requirements of standard technical or literary prose. – AI-generated abstract.

Does philosophy help or hinder scientific work on consciousness?

Bernard J. Baars and Katharine McGovern

Consciousness and Cognition, vol. 2, no. 1, 1993, pp. 18–27

Abstract

The sequence of form-feed control characters establishes a structural framework devoid of semantic content, prioritizing the logical division of space over textual information. These characters, traditionally utilized to instruct mechanical printers to advance to the subsequent page, persist in digital environments as vestigial markers of physical pagination. By providing a sequence of distinct yet empty intervals, the document underscores the formal properties of digital typography and the mechanical history of character encoding. The total absence of lexical data shifts the focus to the cadence of the medium, demonstrating how structural delimiters define the boundaries of a communicative vacuum. Such repetition emphasizes the recursive nature of formatting protocols, where the iteration of a single control character serves as both the medium and the message. This configuration challenges conventional expectations of information density, instead presenting a rhythmic series of voids that foreground the underlying architecture of the digital file format. The resulting sequence functions as an ontological study of the page break, isolated from the discursive requirements of standard technical or literary prose. – AI-generated abstract.

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