works
Abraham Chasins Speaking of Pianists book This critical memoir by pianist and music director Abram Chasins chronicles over fifty years spent observing, listening to, and studying the piano and its greatest exponents. The work establishes a comprehensive framework for evaluating pianistic excellence, rooted in the foundational disciplines and interpretive principles exemplified by figures such as Josef Hofmann, Leopold Godowsky, Sergei Rachmaninoff, and Artur Schnabel. The analysis proceeds through dedicated evaluations of nearly two dozen major pianists, contrasting their individual approaches to virtuosity, technique, and stylistic integrity against a unified vision of artistic responsibility. Chasins applies these standards to the canonical repertoire, from baroque stylistics (Landowska) to romantic giants (Chopin, Liszt, Schumann) and modern concert works (Rachmaninoff, Gershwin). Concluding sections examine systemic challenges to high art, including the pressures of concert management, recording technology, and the isolation of the contemporary artist, arguing that these factors contribute to the erosion of traditional interpretive standards. – AI-generated abstract.

Speaking of Pianists

Abraham Chasins

1957

Abstract

This critical memoir by pianist and music director Abram Chasins chronicles over fifty years spent observing, listening to, and studying the piano and its greatest exponents. The work establishes a comprehensive framework for evaluating pianistic excellence, rooted in the foundational disciplines and interpretive principles exemplified by figures such as Josef Hofmann, Leopold Godowsky, Sergei Rachmaninoff, and Artur Schnabel. The analysis proceeds through dedicated evaluations of nearly two dozen major pianists, contrasting their individual approaches to virtuosity, technique, and stylistic integrity against a unified vision of artistic responsibility. Chasins applies these standards to the canonical repertoire, from baroque stylistics (Landowska) to romantic giants (Chopin, Liszt, Schumann) and modern concert works (Rachmaninoff, Gershwin). Concluding sections examine systemic challenges to high art, including the pressures of concert management, recording technology, and the isolation of the contemporary artist, arguing that these factors contribute to the erosion of traditional interpretive standards. – AI-generated abstract.

PDF

First page of PDF